Chris Fenner

Cinematographer - Prep Site

Doc Interviews - A Tip to Speed Post Up

This idea was given to me by Jonathan Sheehan, I did not come up with it. I think its brilliant so I wanted to share. This does require two things to make it work, two translators, two IFB's, and I would say 3-4 channels of audio. Can be done with two, if you single mic subject.

So here is goes, think of a typical interview, you have subject (two audio sources, one shotgun and one mic), and you have interviewer (who a lot of the time is the translator). In this setup you have another translator with an IFB (listening to the subjects audio) and a wireless mic in another room or outside (far enough away you aren't picking them up). And then you have the camera operator, director or producer (whoever needs a translation) listening in on another IFB to the translator that is not in the room. The camera or cameras, are recording a shotgun and backup source of the subject, as well as the translation happening in another room, all in separate channels. What you are getting in post is pure awesomeness. You have both the original language and translation very closed to sync'd up (depending on translator skill), and during shooting because you are getting live translation you aren't slowing things down and able to quickly ask follow up questions. The setup is a bit tricky and I know in some situations it wont work, but when it does its great! I used this and was able to get transcripts by the next morning on interviews. Smoothed post out greatly. Hope this helps people!

 

Thursday 05.12.16
Posted by Chris Fenner
Comments: 1
 

Traveling Tips

Over the past year or two I've had the privilege, even though it sucks to be away from family, to travel for work. It's really a crazy opportunity that I always want to be thankful for, you never know when things will change. During this time I have learned a lot about airline travel, how to pack and the whole process etc. So thought I would throw this post together to help people who are interested. Please be aware that I would consider these tips for domestic USA travel only. Things can/do/might change when you start traveling overseas.

1. Get TSA pre check. I cannot overstate this enough. Its such a huge time saver, especially if you are traveling out of larger airports. 

2. I would try and stay with the same airline and get that airline credit card. Getting status is really nice when you start flying a lot. Its the little things. Also the credit card can help save money on checked bags.

3. Try and get a hard card from a photography organization/club/etc or from the client stating your'e media. Sometimes making your own media hard card works. But sometimes not. When traveling with lots of gear this is the difference between $1,000 in check fees and $200.

4. Be aware of new booking categories that airlines have started. Some don't allow upgrades/changes. 

4. I would suggest National rental car. Get on their program, they make getting a rental super easy, you can almost can just jump into the car and go. Again, the little things.

5. When booking travel through a company (some large clients want booking to stay in house) make sure you do the homework on your flight and push for the carrier/flight that works best for you. Direct is always best when dealing with expensive gear that could sink a shoot if it doesn't make it. This is a good place to be pushy. 

6. Try and have in your carry on the very minimum of gear to shoot with, incase something happens.

7. But in the same thought don't try and be a hero and over pack your carry on. Take care of yourself when traveling. Killing your back isn't a good way to start off a shoot.

8. Pack vitamins and drink lots of water, traveling wrecks your body, at least it does mine, take care of it.

9. Watch out for the ever changing battery rules the TSA decides to implement and change. I usually carry on all batteries in a Pelican 1510. They have been cracking down on this. (Check out the new Pelican Air, looks like they are much lighter.) If you can I would look into just renting all batteries on location. 

10. TrekPak your hard cases, seriously get the TrekPak dividers. I have found I can get more stuff in my cases and it seems TSA wont pull bags for hand inspection that are packed neatly. Thats just been my observation.

11. Don't use all hard cases, it screams expensive and steal. But also for some stuff use them, be smart. For instance I use pelicans for lenses and Movi. But for other items I use Tenba/Patigonia/Fstop bags. 

12. Get a lightweight cart, I have a Rock and Roller R12 that I check (thanks ENG guys for turning me onto these!). It saves my life, also its an awesome cart that expands and collapses to fit in most cars, it can take a beating.

13. Try and rent/ship tripods on location and get cstands on location. If you have to travel with stands look at lightweight photo stands and some Westcott flex lights. For lots of things two Westcott flex lights and an Icelight can do some serious damage.

14. HPRC tripod cases rock and look at snowboard/ski hard bags for larger items.

15. Uber rocks. Sometimes easiest way to get to and from the airport. 

16. Get some vacuum bags for clothes, saves soooo much space. 

17. Get a neck pillow, yea you look like a dork, but your neck will thank you.

I'll update this if I think of anything more, if you have any tips hit me up and if they are good I'll throw them up and credit you. One thing I'm working on with my trainer is a hotel room workout plan, because we all know that traveling for work is late nights, early morning, lots of sitting and eating, and this doesn't do your body any favors. Might do a video walk through of how I pack, will post both once I get them completed.

Hope this helps!

Thursday 04.21.16
Posted by Chris Fenner
Comments: 3
 

Digital Pitches

So this started out as a solution for a problem. The issue I was seeing is when I put together a pitch, either as a PDF or a pages doc, if you wanted to see anything that was linked it would take you out of the document. Whoever was viewing it would have to use two programs at a minimum. Think about this on an iPhone/tablet, it gets super annoying and confusing. Also updating would require sending out another document via email, and more revisions piling up on your computer. So in this madness I was starting to use Squarespace, and noticed two things. One is it's super easy to use, and you could un-list pages, meaning these pages wouldn't show up on your main site, you need specific URL to see the page. So I started using Squarespace as the place for my pitches. This had some great results, one Squarespace automatically formats the page to the device you are viewing on, allows me to update on the fly and quickly, allows me to embed almost anything (I use the google services) and lastly, it sets you apart from others. Did a quick video showing how I use it, I'm sure you guys can think of even more solutions and ideas. Enjoy and let me know if you have any feedback.

(This is a solution that you should be able to do on any website, I just use Squarespace as an example because I love it.)

Tuesday 04.07.15
Posted by Chris Fenner
Comments: 1
 

Old Is Not Bad

Let me be honest to start out, I have owned a C300 and Red Scarlet, and at the time in both knowledge and career I had no business owning those cameras. Just wanted to start out with that. Also this post is about cameras, wish it wasn't, but think I have learned something that I want to pass along. 

As we approach NAB 2015, great things are happening in our industry, crazy, amazing thing. Cameras are freaking amazing, we have tons of choices, and they help us capture amazing stories. And for the most part the technology is really getting cheap. But we are also dealing with pressures as owners, DP's, "video dudes" to keep up with the newest and greatest. Yes, I feel this too, in fact I was close to sending in my hard earned money on the newest Arri offering, and I spend way to much time looking at the craziness that Red is promising. Hoping for the "perfect" camera that will never come. 

I write this to hopefully help you think long and hard about that next camera purchase. First off, does your talent match what the camera can do? If not, don't buy. Second, who is pushing you to get the latest and greatest? For the most part, the pressure that I was feeling and do feel, is from peers, not clients. What is great about the twitterverse is that we can really learn and connect with people in our industry, but it will also brings peer pressure. Pressure to have the newest and greatest gear, because you are looking at other people that have it. This is a reality that I find myself in, you might be different. But I would challenge you to really think about that expensive camera purchase long and hard, and be honest with yourself. Are your clients or potential clients asking for it? If not don't buy. And lastly, can you pay it off in 6-8 months? If not dont buy.

So you might be thinking that I'm all about not buying that newest/coolest camera but I'm not. I've been thinking a lot about "rules" for myself about cameras and have come up with two.

1. Buy under 8k and over 30k. The lower range you get a great quality camera that shouldn't kill the bank and upper range shouldn't go out of style in 6-8 months, you might get 18 months plus, and hopefully higher day rate.

2. Look at previous generation of cameras, they are stinking great still! FS700 with 7q, C500 with 7q, C300, C100, Red Epic, F3, the list goes on. These cameras still rock, and around NAB people like to sell and the value of these cameras go down, so keep an eye out for deals. 

So think logically before you buy, be honest with yourself, and go get the camera that works for you.... After you buy those lights, tripod, and lenses, and grip that will last longer than any camera :)

tags: Cameras, NAB, NAB 2015, Freelance
categories: Freelance
Friday 03.27.15
Posted by Chris Fenner
Comments: 2
 

LIGHTS - A Passion Project

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New passion project dropping tomorrow for you late night fokes. Kyle Dettman and I started this when we shot Confessions. We had the Epic for a extra day, Kyle had some crazy lights, I wanted to try some camera moves, so we shot this. Kyle really gets all the credit for the amazing VFX work he did to take this project over the edge! He is so stinking talented. Thanks to The Music Bed for the track. Until tomorrow...

-Chris

tags: Passion, Passion Project, The Music Bed, Music Bed, Red, RED, Red Epic, EPIC, Epic, RED EPIC
Tuesday 12.03.13
Posted by Chris Fenner
Comments: 1
 

Philip Phillips - Live Shoot

The team. Thanks everyone!

The team. Thanks everyone!

Had the great opportunity to DP a 10 camera live shoot of Philip Phillips, was great fun. Shame that the whole video wont be shown, and all I can show are these screen shots, but the whole edit turned out really awesome, you will just have to believe me:)! Turned around the whole project in 7 days, hustling, love it! Thanks to John at Modern Motion for bringing me on board.

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Friday 10.18.13
Posted by Chris Fenner
 

Reach Records - Derek Minor Promos

Here are some stills for a project I DP'd for Reach Records, one of the video was released in black and white so enjoy these color stills. Full videos at the bottom!

 

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Tuesday 10.15.13
Posted by Chris Fenner
 

Making of Lecrae's Confessions Music Video

In November 2012 Kyle Dettman, Aaron Tovi, and I sat down to brain storm ideas for Confessions, a track by Grammy winning artist Lecare. ​We spent the next 2-3 months planning the largest shoot that the Reach Records has done to date. It was a honor to DP it, here is a little about our process, and the things that I learned from the shoot. 

1. Listening

First thing we did was listen to the track, a lot, I mean a ton, we each had a plenty of ideas on where to take the video. One thing we all wanted was to tell a story that wasn't super obvious at the start.​ I really believe listening is huge in telling a genuine story, not just for a music video, but for any video you are creating, they are all stories.

2. Setup Dropbox

Dropbox was such a great tool for us to use together. I believe its a huge tool in the current collaborative creative process. It's a must. ​It allowed us to share ideas in different locations, on the go, etc. And gather all our different ideas in one place. Even if you are working by yourself, using Dropbox as you main idea location is very helpful.

3. Art Design

Art design is always a huge part of great content. We spent a lot of time honing the look and feel once we finally decided on a direction  Aaron Tov's background is in graphic design and brought tons of great insight and an "outsiders" viewpoint to the video, which is huge. We spent lots of time gathering photos and inspiration and organizing them on Dropbox.

4. Planning

We thought we spent a lot of time planning this video, but looking back on it I think we would all feel there was even more planning we could do. One of the things we learned is bringing a killer producer in on a project this large is a must. ​If you don't have a great producer lots of details will just get overlooked. The producer doesn't have to be part of the whole process but bringing them in on the last 50% of the planning is very helpful.

5. Executing ​

Because we ​were mentally processing this shoot for so long, on the day of the shoot I felt that we all really went into autopilot mode, and just executed the plan. Lots of things changed on the day of the shoot with talent but because we had a foundation from pre-production we could me changes very quickly and with little disturbance. We also learned that having a killer AD was huge (thanks Issac Deitz!) for keeping us all aware of the time we had to get every shot done.

Below are some photos, hope you enjoy them and check out the video here! 

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tags: Lecrae, Music Video, Music, Video, Confessions, $$, Reach Records, Reach, Grammy, Grammys, Grammy Winner
Tuesday 04.30.13
Posted by Chris Fenner
Comments: 3
 

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